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Samantha Gail B. Lucas

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Filipino singer-songwriter dwta releases “Kung Ikaw Ay Masaya,” from the Flower Girl soundtrack

June 18, 2025

Helmed by filmmaker and screenwriter Fatrick Tabada, the comedy-drama stars award-winning actress Sue Ramirez

 

Filipino singer-songwriter dwta releases “Kung Ikaw Ay Masaya,” a melancholic folk-pop track under Sony Music Entertainment.

The song is featured in the official soundtrack for the upcoming comedy-drama Flower Girl, starring Sue Ramirez.

Directed by multi-awarded filmmaker and screenwriter Fatrick Tabada, the quirk, fun, and deeply introspective film centers around Ena, a young woman in search of her lost “womanhood.”

Tabada offers nothing but high praises for dwta’s latestsong, pointing out its pivotal role in supporting the lead character’s journey of self-discovery and acceptance. “Amid the film’s absurdity, the song grounds Ena and brings out her humanity,” Tabada adds. “Though Ena may come off as unlikeable at first, Kung Ikaw ay Masayareminds the audience that she is a woman in the process of rediscovering her humanity—and that she, too, is allowed to stumble in her journey toward self-worth.”

WATCH THE FLOWER GIRL TRAILER HERE

“When I watched the trailer, I already felt that the story was very different,” shares the Bicol-born, Manila-based artist. “It’s not the usual love story you see in movies. That’s also how the song connects to the film. The original nursery rhyme is for kids but the way we used it in the song gave it a more serious feel, kind of like how the film talks about stuff people don’t usually talk about. It’s like both the song and the film took something familiar and made it feel more real and grown-up. It proves that even things that seem light can carry real weight.”

True to her roots as a storyteller and film enthusiast, dwtahas always gravitated towards narratives that challenge convention. She sees Flower Girl as the type of film that aligns with her vision as an artist.

“it’s not just any movie,” she explains. “It’s bold, it’s unique, and it talks about things that are rarely depicted in mainstream Filipino cinema. “And with big stars like Sue Ramirez, KaladKaren, and other amazing actors in the cast, it’s a huge honor to be part of something this incredibly meaningful.”

DWTA’s “Kung Ikaw ay Masaya” serves as the soundtrack to Ena’s penultimate chapter in her search for true love. Amid the film’s absurdity, the song grounds Ena and brings out her humanity. Though Ena may come off as unlikeable at first, “Kung Ikaw ay Masaya” reminds the audience that she is a woman in the process of rediscovering her humanity—and that she, too, is allowed to stumble in her journey toward self-worth.

The song’s main hook, which also serves as its chorus, reimagines the beloved nursery rhymes of the same name. dwta’s take turns the familiar childhood melody into a haunting serenade that conveys the frustration of being at the receiving end of mixed signals and false hopes. She transforms what is typically lighthearted and innocent into something deeply personal.

LISTEN TO “KUNG IKAW AY MASAYA” HERE

The ’Santigwar” act reveals, “I ended up enjoying the process so much that I made a list of other nursery rhymes/ children games I could write songs from. Kung Ikaw Ay Masaya is one of them. I guess what inspired me the most was the idea that even the simplest, happiest songs can have deeper meaning if you look at them from a different angle.”

This isn’t her first foray into nursery rhymes-inspired music. Earlier, she released “Sampung Mga Daliri,” a nostalgic track turned bittersweet duet with SB19’s Justinand “Nasusunog (Pants On Fire).” The emotional juxtaposition between childhood joy and adult heartbreak, she explains, is what gives the songs their resonance.

“Nursery rhymes are nostalgic for us and we usually associate them with childhood and happy times. But when you pair that song with a different story like heartbreak, it hits differently.”

Produced by long-time collaborator Brian Lotho, “Kung Ikaw Ay Masaya” keeps things understated and intimate, with a stripped-back arrangement featuring only violin, guitar, and keyboard.

dwta’s “Kung Ikaw Ay Masaya” is out now on all digital music platforms worldwide via Sony Music Entertainment.”

Flower Girl is out now in cinemas nationwide.

Source: Nyou

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Peter $un Releases Anticipated Album 'Rent Was Due...' and Teams Up with R&B Singer Joyce Wrice for "Double Standards"

June 18, 2025

LISTEN HERE

Photo Credit: Aiden Weber

Rapper, producer, and singer-songwriter Peter $un today unveiled his full-length album ‘Rent Was Due…’ on Red Bull Records/Mind of a Genius. The nine-track project arrives with the new single “Double Standards” featuring breakout R&B star Joyce Wrice. Fans can stream the album here and watch the music video here.

Unpacking the meaning behind the single, Sunny shared: “I wrote "Double Standards" based on the dynamics of a toxic relationship. It’s about calling your partner out on some shit, meanwhile you’re doing all the same things to them”. 

Sunny’s verses flow with ease, and when Joyce Wrice joins in, their synergy is undeniable. They exchange playful arguments about relationship imbalances over a laid-back beat that creates an effortless groove. On collaborating with Joyce, Sunny added: “Working with Joyce Wrice on the track was amazing. She has this great energy whenever she pulls up – she really killed it on this one”.

The release will be accompanied by an official music video set at a house party, featuring Sunny, his date, and a crowd of beautiful women who tempt him to look away from the one sitting across from him.

Peter $un – "Double Standards" featuring Joyce Wrice (Official Music Video)

In the lead up to his album release, Peter $un (Sunny) has been warming up fans with summer-ready singles all season, including the feel-good track, “All That I Want” featuring Bay Area rapper Rexx Life Raj and the backyard BBQ anthem, “Weight On Me” featuring SoCal rapper Buddy. While “Double Standards” dials down the dancefloor energy, it showcases another side of the Virginia native, highlighting his soulful roots and nostalgic R&B influences. 

The album introduces brand new tracks like the jazz-inspired opener, “Get Down”, which borrows from Kool and the Gang’s iconic “Get Down On It”, and the old school rap track, “Keep the Faith”. Sunny bounces between different eras, genres, and sonic landscapes throughout the album, pulling from his dynamic West Coast community and the fabric of the Richmond scene. While each piece of the project has its own musical identity that flexes Sunny’s versatility, together they form a cohesive narrative on ‘Rent Was Due...’.

Piecing it all together, Sunny reflects: “The album is deeply personal to me – it’s life imitating art. Creating it gave me a way to express joy during a difficult time and reminded me of the control I have over that little voice in my head. We wanted to dance through the chaos and now, we’re celebrating”.

Sunny created this album from a real need to make rent – a challenge that many rising artists face in monetizing their passion – and for his existing fans, it only re-emphasizes his commitment to transparency. It’s both raw and relatable, yet it never succumbs to the difficulties Sunny faced at the time. Looking toward a brighter future, he chose to find the silver lining and that hope shines through in the colorful tones of ‘Rent Was Due...’. 

‘Rent Was Due...’ Tracklist

1. Get Down
2. U Got Me
3. Weight On Me (feat. Buddy)
4. Frames
5. Double Standards (feat. Joyce Wrice)
6. All That I Want (feat. Rexx Life Raj)
7. Close To You
8. Keep The Faith
9. Want You
 

Stream 'Rent Was Due...' here: https://petersun.ffm.to/rentwasdue
Watch the music video for "Double Standards" here: 

About Peter $un

For Peter $un to find bliss, the Richmond, Virginia-born rapper/singer first had to get honest about his circumstances before arriving at his new project, ‘Rent Was Due…’. $un, also known as Sunny, has lived in Southern California for close to seven years and has encountered similar hardships that fellow residents face. Fitting the ‘starving artist’ trope and working multiple jobs to sustain his musical passion. Dealing with the stresses of fluctuating housing and grocery costs. But even amid adversity, Sunny finds the silver lining on his lively and summertime-friendly album.

“I always look at the best in everything. I'll be going through something, and I'll see the light rather than the dark in it,” he continues. “I was going through a situation where I wasn't able to pay my rent at the time while I was making this project. Even though that was the situation, I was still trying to make the best music I could; nobody wants to be depressed and make depressing shit”.

Although Sunny undergoes the extremely palpable feeling of having to make rent on
 ‘Rent Was Due…’, he tosses his worries aside for feel-good grooves. It makes sense for the artist, who scoured his father’s R&B-centric record collection throughout his childhood and found local artists like Missy Elliott, Timbaland and The Neptunes instrumental to his soulful psychedelic appeal. While on the come-up in his hometown, Sunny hustled his music on the underground scene and occasionally collaborated with friends on material that would be the springboard for his future projects. Apart from his VA upbringing, he cites essential neo-soul albums like Lauryn Hill’s 1998 solo breakthrough ‘The Miseducation of Lauryn Hill’, and D’Angelo’s ‘Voodoo’ as his North Star, and remnants of both masterpieces shine through ‘Rent Was Due…’. 

Sunny gets flirtatious on the mellow opener “Get Down”, which appropriately interpolates Kool & the Gang’s classic “Get Down On It”. The amorous feeling continues on the breezy dance of “Weight On Me”, where Sunny gets an assist from Buddy and flips Trina’s 2001 cut “Pull Over”. When the celestial glow of “All That I Want” comes around, Sunny’s joined by Rexx Life Raj, with both aiming to attract women they have their eyes on. While 
‘Rent Was Due…’ keeps it modern, it’s Sunny’s deep soul influences that make the album shine.

“It's always been something that's just in a part of my DNA. I wanted to do more melodic stuff and get into that energy, but I still love rap shit, too,” he explains. “I want to bring some smooth shit to the table and some passion and good energy, good vibes always. I love incorporating neo-soul ‘90s type of stuff in my music, but also bringing it to a more modern level”.

But when trying to maintain an upbeat mood, there can be moments of strife. That’s where songs like the battle of the sexes anthem “Double Standards”, featuring R&B vocalist Joyce Wrice, and the vulnerable, rap-focused “Keep the Faith” break through the surface on 
‘Rent Was Due…’. On the latter track, Sunny sits with himself over a lo-fi, flipped version of Faith Evans’ “Soon As I Get Home” and expresses his looming dark thoughts. “Keep the Faith” also serves as a taste of Sunny’s follow-up project, where he’ll aim to return to his rap origins.

“You can be happy, you're not going to be happy all the time, though,” he continues. “I always like to bring that versatility to my projects, showing vulnerability, and showing the human experience to people through music. We can have all this happy shit and we can have a good time, but it's not always going to be like that. And in seconds, it could be horrible. We never know”.

As Los Angeles continues its process of restoration, keeping the vibes high on the West Coast is Sunny, who proves that after setbacks, hope can be revitalized. The artist knows the feeling all too well, as his 2022 EP 
‘Phone Calls Gimme Anxiety’ centered on Sunny’s grappling with recurring bad news. Now, he’s in unity with other Los Angelenos, along with outside listeners going through their own plights, and offers ‘Rent Was Due…’ as a refreshing escape.

With over 
21 million career streams and a soulful sound that continues to resonate globally, he’s found a growing fanbase across Asia — with 🇮🇩 Indonesia ranking #2 and 🇹🇼 Taiwan at #6 among his top 10 streaming markets worldwide!
 

FOR MORE INFORMATION
 
SECRET SIGNALS | RED BULL RECORDS

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Rising Japanese Boy Group ONE OR EIGHT Unveils New Single and Video "365", Marks First Release With Atlantic Music Group

June 18, 2025

LISTEN HERE

OFFICIAL MUSIC VIDEO OUT NOW

WATCH HERE

June 18th, 2025 – Manila, Philippines – ONE OR EIGHT have released their latest single, “365”, out now. This marks the first release from the eight-member boy group following their recent announcement of a partnership with major record label Atlantic Music Group. Fans across the world have taken to social media to express their excitement for the group’s growth, calling it a source of national pride that they’ve been recognized by a major international label in less than a year since debut.

The new single “365” features acclaimed songwriter Nasri, known for his work with artists like Justin Bieber. Honest and emotional, the track blends a captivating melody with a distinctive, resonant beat as it expresses a heartfelt desire to be by a loved one’s side every day of the year. At its core, “365” is also a tribute to their fans, 1DERZ (fandom name) – a vow to maintain an unbreakable bond that will carry far into the future.

"'365' is ONE OR EIGHT’s first love song, and we wanted to express how it feels when you're thinking about a special someone. The title also represents the length of time of our auditions for WARPs DIG, which was the beginning of our journey to become ONE OR EIGHT. That’s why the number means so much to us. Through the lyrics, we want to express our immense gratitude and love for all of our fans, 1DERZ, who have been rooting for us over the past year and sharing many unforgettable moments with us.

To the 1DERZ who have been supporting us from the very beginning, as well as those who have recently discovered us, I hope you'll listen to ‘365’ with someone special! "
– REIA of ONE OR EIGHT

"I was so happy to find out that ONE OR EIGHT chose our song 365 that I wrote with my good friend Noah. It’s the perfect song for them and I hope their fans love it as much as we do. I’ve spent some time in Japan with my band “Magic!” Playing shows over the years and now I have new friends in one of my favorite places in the world," – Nasri, Writer of “365” 

"From the moment Mosaic and I produced the instrumental, I knew we had something special. I shared the beat with Nasri, who masterfully brought it to life with the 365 concept. Then ONE OR EIGHT jumped in—an electrifying young group with serious style and swagger—and put their own spin on it, turning it into something truly undeniable. From our hearts to the world... I can’t wait for everyone to hear this banger! " – Noah Barer, Producer of “365”

ONE OR EIGHT – "365" (Official Music Video) 

Accompanying the single release is the romantic music video for “365”, unfolding as a passionate and poignant recollection of every moment within 365 days spent thinking about a loved one and the feelings shared. Set against an emotional backdrop, the video weaves unforgettable memories of love and shared time into a cinematic narrative. The video was directed by Osrin, one of Japan’s leading creative talents and a founding member of the creative label PERIMETRON, who has worked with major artists including King Gnu, millennium parade, Mr. Children, and GLAY.

"While working on the MV for 365, I saw these guys that are jagged, rough-around-the-edges, silly and playful, but sincerely real. I took all of my favorite parts and pieced them together. When I was finished, I had grown to love each of them," Osrin (PERIMETRON) shares on directing the music video.

Following the success of their sold-out SHŪKAI fan meeting tour across five cities in North and South America in April, ONE OR EIGHT is set for upcoming events in Asia in Bangkok (July 26) and Japan (August 24 and 26).

With these events and more on the horizon, ONE OR EIGHT continue to blaze their own trail as a rising global force. Fans across Southeast Asia are invited to witness the SHŪKAI experience up close in Bangkok—the group’s first fan meeting event in the region. 
Tickets are available here.
 

Stream "365" here: oneoreight.lnk.to/365
Watch the official music video 
here

About ONE OR EIGHT

ONE OR EIGHT is an eight-member Japanese boy group consisting of MIZUKI, NEO, REIA, RYOTA, SOUMA, TAKERU, TSUBASA, and YUGA. Their name is derived from the Japanese idiom “ichi ka bachi ka” (meaning “all or nothing”), and under the tagline “BET ON YOURSELF,” they boldly take on global challenges together in pursuit of their dreams. The group made their debut on August 16, 2024, with the single “Don’t Tell Nobody”, produced by Ryan Tedder of OneRepublic.

This was followed by the release of “KAWASAKI (with Big Sean)” on December 6, 2024 — a collaboration with American rapper Big Sean, including a series of remixes for “KAWASAKI” featuring Felip (Ken of Filipino P-Pop boy band SB19), Vietnamese-American R&B sensation thủy, and Korean hip-hop leader pH-1, showcasing the band’s ability to push musical boundaries through multi-cross-border collaborations.

In 2025, they were named one of Nikkei Entertainment!’s “100 Breakout Talents of 2025” and received the special award “Upcoming Dance & Vocal Group” at the MTV Video Music Awards Japan. On March 19, 2025, they released “DSTM”, which officially samples the iconic track “Don’t Stop The Music” by global superstar Rihanna — a historic first.

FOR MORE INFORMATION
SECRET SIGNALS | AVEX

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Unrivaled performance powerhouse ATEEZ return with GOLDEN HOUR : Part.3 ahead of ‘IN YOUR FANTASY’ World Tour

June 13, 2025

IMAGE CREDIT: KQ Entertainment

 

Award-winning Korean all-star group ATEEZ returns with their 12th EP, GOLDEN HOUR : Part.3, ahead of their upcoming ‘IN YOUR FANTASY’ world tour.

 

Named iHeartRadio’s K-pop Artist of the Year, the group also earned their first American Music Awards nomination this year and is continuing their unstoppable success with a new album.

 

This album marks the beginning of a temptation that knows no bounds, as ATEEZ’s sweet yet dangerous allure captures the beauty of every wavering moment, shining brilliantly just as it is. It captures the fevered energy of a summer night—a fleeting burst of freedom and escape that quenches a deep, almost insatiable thirst.

 

GOLDEN HOUR : Part.3 explores how youth confrontsraw emotion, taking listeners on a journey of temptation, rebellion, and wavering to uncover the true nature of feelings. Amid the fast-paced rhythm of daily life, emotions are often suppressed, causing that thirst to intensify—an unquenchable desire that only grows stronger.

 

It’s a burning thirst that can no longer be delayed and reaching for something sweet yet dangerously tempting offers only momentary relief, never true satisfaction. The EP follows their journey as ATEEZ chooses the path less followed, reclaiming their emotions and rediscovering what once connected them to themselves and others.

 

The EP features five songs, with members HONGJOONG and MINGI taking part in writing the lyrics for four out of the five tracks on the album. The focus track “Lemon Drop,” is a seasonal song perfectly crafted for summer. Like a refreshing Lemon Drop cocktail, ATEEZ’s sweet and cool confession infuses hot summer days with excitement. You can watch the music video here and stream the album here.

 

LISTEN TO ‘GOLDEN HOUR : Part.3’

[GOLDEN HOUR : Part.3] TRACK LIST

01. Lemon Drop **title track**

02. Masterpiece  

03. Now this house ain't a home  

04. Castle  

05. Bridge : The Edge of Reality

 

This EP comes following the announcement of their [IN YOUR FANTASY] world tour, kicking off in Incheon on July 5 and taking the show through the U.S., Mexico, and Japan. ATEEZ will be heading to 11 cities in the U.S., as well as Mexico City at the end of August before taking the show to Japan. This tour takes them to new heights, as they bring their immersive performances to even bigger venues, hitting five stadiums in North America with two nights at the BMO Stadium again.

 

 

 

About ATEEZ:

ATEEZ, short for ‘A TEEnager Z’, is an eight-member South Korean group that has taken the world by storm immediately after their debut in October 2018. Known for standout performances, the octet have turned storytelling into a full musical experience. The eight members of ATEEZ are HONGJOONG, SEONGHWA, YUNHO, YEOSANG, SAN, MINGI, WOOYOUNG, and JONGHO. Establishing themselves as top artists early on in their career with a sold out global tour only four months after their debut, they continue to break their own records. With a unique narrative that starts from the very first release in the ‘TREASURE’ album series and continues through the ‘FEVER’ and ‘THE WORLD’ masterpieces, the group combines bestseller narratives with personalized music that speaks to their generation. Beyond the multitude of titles they’ve earned throughout the years as the ‘Next Generation Act’ and ‘Best World Performer’ in award ceremonies, ATEEZ have attained the distinction of becoming a ‘million seller’ group with the release of their 8th EP. In 2024, they dominated on the global stage, taking over festivals around the world with performances at Coachella (US), Summer Sonic (JPN), and even headlining at Mawazine (MAR). Their second studio album, 'THE WORLD EP.FIN : WILL' broke their personal record on the global charts, debuting at No.1 on the Billboard 200 for the week of December 11 and charting for six weeks. Their followup release ‘GOLDEN HOUR :Part.1’ continued the momentum, capturing No.2 on the Billboard 200 and ranking in at No.7 on the Billboard 2024’s Midyear Top 10 Selling Albums in U.S. The second chapter of their ‘GOLDEN HOUR’ series, ‘GOLDEN HOUR : Part.2’, led by the title track ‘Ice On My Teeth’ topped the Billboard 200 and made history with another top 5 ranking on the UK Official Charts. ‘GOLDEN HOUR : Part.3’ continues the series, looking to new heights with new music.

 

 

About KQ Entertainment:

KQ Entertainment is a fast-growing global entertainment and content company based in South Korea that continuously evolves with the expanding domestic and overseas markets. Using a system that considers the characteristics and needs of musicians to better nurture artist development, the label aims to create a positive impact on the music industry. The system in practice creates a virtuous cycle that establishes a new paradigm of artist discovery, support, and production between idol groups and musicians for a mutually beneficial relationship growth in innovating music. KQ Entertainment currently houses the global phenomenon ATEEZ, rising superstars xikers, legendary vocalist Sohyang, as well as top producers and artists EDEN and Maddox.

 

For more about ATEEZ, visit: https://ateez.kqent.com/

 

 

ATEEZ SOCIALS:

INSTAGRAM (10.6M+) | TIKTOK (8.2M+) | X/TWITTER(4.3M+) | SPOTIFY (3.4M) | YOUTUBE (4.4M+)

 

INDIVIDUAL INSTAGRAM:

HONGJOONG | SEONGHWA | YUNHO | YEOSANG | SAN | MINGI | WOOYOUNG | JONGHO

Source: Nyou

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Joony Keeps The Momentum Going with New Single "NO CHILL"

June 13, 2025

LISTEN HERE

Photo Credit: Emily Reider

June 13th, 2025 – Triple-threat rapper, songwriter, and producer Joony shows no signs of slowing down this summer, unveiling today his newest melodic single, “NO CHILL”. Fans can stream the song here and watch the visualizer here. 

The track features hard-knocking, spacey production highlighting the Maryland-raised artist’s ability to stretch and manipulate his vocal range to unrecognizable tones. The layered instrumental acts as an ethereal dream sequence, keeping listeners locked in until the very end. Sonically, the single draws inspiration from genre-bending pioneers like Travis Scott and Kid Cudi, positioning himself well ahead of the curve in the hip-hop landscape.

On the inspiration, Joony shared, “At the core, the song's theme is betrayal. It’s a song about doing so much for a person, giving them your all, upgrading their lifestyle, and going out your way to make things work but when things don’t, they act as if you were never there. They leave you in the cold without a word's notice as if you didn’t put it all on the line for them, and you can’t help but feel betrayed. You can’t help but feel like they really have no chill”.

Though “NO CHILL” is only Joony’s second official release of the year, he’s remained active across the music and cultural landscape. He recently appeared on the iconic series, 
A COLORS SHOW and brought his signature sound to the desert with a debut performance at GV Black’s Party In My Living Room during this year’s Coachella. He also earned acclaim for contributing to Destin Conrad’s standout track “FMU!” from the newly released LP, 'LOVE ON DIGITAL', and co-writing Ty Dolla $ign’s latest single, “ALL IN”.

After building significant momentum with his unique style, the ‘MEMENTO’ recording artist has garnered high-profile co-signs from Blxst, Brent Faiyaz, Jordan Ward, and more, standing out as one of the most exciting voices in the next wave of genre-blending creatives.

With over 177 million career streams, Joony is steadily cementing his place as one of the most exciting voices in alternative rap and R&B — now gearing up for his next highly anticipated project.

Joony - "NO CHILL" [Official Visualizer]

Stream "NO CHILL" here: https://joony.ffm.to/nochilll
Watch the visualizer here: 

About Joony

Joony, aka Jonathan Negero, is a first-generation Ethiopian-American recording artist, songwriter, and entrepreneur who exemplifies what it is to be a multi-faceted creative with art that emits every emotion. Joony uses his haunting vocal range to share truthful stories about love, fashion, and making it in music without much guidance. Having grown up in Silver Spring, Maryland, about 15 minutes outside Washington, D.C., Joony’s hometown pride is strong. His latest album, '#SHITUMSS', was an ode to the native sound that helped set the foundation for his start as an artist. His forthcoming Red Bull Records/Evgle debut project, 'MEMENTO', is an excellent next taste of the eclectic artist’s thinking. Joony’s free-flowing but calculated nature helps create a bevy of introspective lyrics that accurately illustrate the depths of his mind. 'MEMENTO' also proves that Joony is in a class of his own. He does not color inside the lines and allows himself to take risks musically while pushing the boundaries of rap in a way that the game-changing artists he draws inspiration from have done in the past.

Joony rose to recognition for his impeccable consistency and dynamic contribution to Brent Faiyaz’s record-breaking album, 
'WASTELAND'. Since securing his first Billboard Top 100 hit with 'FYTB', the stage has been set for the SoundCloud-era-inspired emcee to further carve a lane for himself within music’s ever-changing landscape. His work with rising creatives like Jordan Ward ("IDC"), KELZ ("One Track Minded"), Highway ("Bad Time"), and more has led him to build up over 550K monthly listeners on Spotify. The “Baby Joon” recording artist has performed at various festivals, toured with Lancey Foux, and even completed an international headlining tour.

Furthermore, Joony has received co-signs from multi-platinum acts and A-list stars like BLXST, Kevin Durant, Shy Glizzy, Babyface Ray, and others. The writing is on the wall for his looming superstardom, and 
'MEMENTO' is the only thing left to solidify him as a force within music. Joony’s talents and interests are beautifully conveyed throughout the 10-track EP. The project’s first two tracks, "INTRO(Hotel)" and "NEED IT", quickly set the tone for the sonic adventure that follows. The opener draws listeners into a movie-like scene featuring audio from a stranger interacting with Joony and his crew before quickly leading into the sobering track, "NEED IT". The passionate song boasts heartfelt lyrics about Joony’s journey to reach the fame and success he knows he’s destined for. Paving the way for the next generation of scene-shapers, Joony will not stop until he’s met his aspirations for love, success, and the desire to have it all.
 

As the newest artist from Red Bull Records in partnership with Blxst’s Evgle imprint and his own collective 211, Joony is putting underground rappers from the DMV on the map. Not many artists have the range and ability that Joony has cultivated, with his latest project driving his quest to create without bounds. Joony’s dedicated fan base anticipates excellence, and 'MEMENTO' rises to the occasion.

FOR MORE INFORMATION
 
SECRET SIGNALS |  RED BULL RECORDS 

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Singapore's Indie Pop Darling Shye Unveils Hauntingly Poignant New Single "All at once"

June 13, 2025

LISTEN HERE

June 13th, 2025 — Singapore's rising indie pop sensation, singer-songwriter and producer Shye returns this week with her newest single, "All at once"—a hauntingly atmospheric track that captures the quiet devastation of heartbreak. A continuation of the narrative explored in her previous single, "Waited for you", the song deepens the emotional storyline, moving from longing to the silent ache of acceptance. Fans can stream the song HERE. 

Where "Waited for you" explored the ache of longing for someone who never truly arrives, "All at once" moves into the aftermath. "The song sings about being haunted by the memories of a person who has moved on, while you're still stuck in the echoes of what was," Shye explains. Anchored by the repeated plea "Come back to me", the song lives in that emotional loop of trying to feel okay when deep down, you're unraveling. "It's the kind of grief that seeps into everything around you—where you start to see the one you lost in everything and everyone. When you know it's over and you have to move on but it's easier said than done."

Shye – "All at once" (Lyric Video)
** RELEASING 13 JUN, 9:00 PM (GMT+8) **

"With this track, I hope to give a voice to the quiet, complicated kind of heartbreak that often goes unspoken. The feeling of being stuck in the aftermath while the world keeps moving. I want listeners who are going through something similar to feel seen and less alone in their experience."

— Shye

Following her recent releases, "Cecilia" and "Waited for you", the new song marks a shift into softer, dreamier territory—both tender and emotionally unflinching. Sonically, Shye trades the weightier soundscapes of her earlier releases for a more atmospheric palette, built around dreamy guitar textures and unfiltered lyricism. "All at once" feels like a soft sigh of the heart—tender, haunting, and just a little bit broken.

Speaking on the emotional core of the song, Shye shares: "The inspiration came from that strange emotional space where everything still reminds you of someone, even after they're gone. When you're in love, your world becomes shaped around that person and once they leave, you're left with the shadows of what used to be." Through both words and instrumentation, she captures the quiet ache of trying to move forward while piecing together the fragments of a heart still healing—peaceful on the surface, yet full of emotional unrest beneath.

At its core, "All at once"  is a hand to hold for anyone going through it—a gentle companion for those quietly hurting, offering solace and helping them feel a little less alone in their pain. "It's okay to not be okay," she says, "and sometimes just sitting with that truth is part of the healing." Above all, she hopes the song reaches those who need it most, at the moment they need it, and encourages them to give themselves the time and space to truly heal.

Stream "All at once" here
Watch the lyric video 
here
 

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About Shye

Shye is an independent singer-songwriter and music producer from Singapore. She oversees the creative process of writing, recording and production from home and is also the mixing and mastering engineer responsible for all her music. Shye's music is inspired by a mixture of dreamy indie/electronic pop and alternative rock.

A self-taught artist, Shye began her music journey at the age of 16 when she entered a music competition for fun and emerged unexpectedly as the winner, with music from her debut EP 'Augus7ine' in 2018. Shye followed up with her 14-track debut album 'days to morning glory' in 2020. In the following year, Shye released her second EP 'hello TRINITY' followed by 'idk it’s complicated' in 2022. Her next body of work, '9LIVES' followed suit in October of 2023 and she continued to drop singles throughout 2024 and into 2025.

Shye has supported international acts such as Daniel Caesar, Clairo, Superorganism, Sales, Men I Trust, and The Chairs during their tours in Singapore. She has also performed at music festivals such as Tiger Den SXSW in Austin Texas (2023), Axean Festival in Singapore (2023), Asia Rolling Music Festival in Taiwan (2022), Urbanscapes in Malaysia, (2019), Baybeats in Singapore (2023, 2019), Asiya Festival in the Philippines (2024), and virtually for Music Lane Okinawa (2021) and Bangkok Music City (2020). Shye performed at the swearing-in ceremony of Singapore's new Prime Minister in May 2024, and wrapped up a performance at The Alex Blake Charlie Sessions in December 2024 alongside international acts. Earlier this year, she performed at Taiwan's Emerge Fest and played her first-ever headline show in Bangkok, marking a major milestone in her growing regional presence.

Shye was named 'Best New Act from Asia' at the 2022 BandLab NME Awards and received the 2022 KKBOX 'Rising Star Award'. She also took part in the China music reality show《青年派计划》broadcasted on Mango TV, where she emerged a finalist. Last year, Shye had participated in the idol survival show Chuang Asia Thailand.

Shye has also been added to the lists of Forbes Asia 30 under 30, Tatler Asia's Gen. T Leaders of Tomorrow 2024, Dazed 100 Global and Asia and most recently Prestige 40 under 40. Shye was invited by Chanel to attend her first overseas fashion show, the Chanel Cruise Replica Show in Hong Kong last November, an event attended by celebrated musicians such as G-DRAGON and Angèle. She also attended her maiden Paris Fashion Week show with the brand in March. Shye has graced the covers of magazines such as FEMALE, Men's Folio, Prestige, Her World, Grazia and Aplus. Most recently, she features on the joint cover of ELLE Magazine's June issue. She has also collaborated with numerous fashion brands.

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Henry Moodie releases new single ‘comedown’

June 13, 2025

Future global pop superstar Henry Moodie releases his incredible new single, ‘comedown’, out now via Robots & Humans (UK) and Columbia Records (US).

Henry Moodie delivers ‘comedown’, an energetic yet introspective pop anthem that captures the heady thrill of falling in love, laced with the quiet fear that it might not last. Blending organic instrumentation with a euphoric, emotionally charged sound, Moodie reflects on the vulnerability that comes with opening your heart. With his signature heartfelt lyricism and soaring vocals, ‘comedown’ offers a powerful snapshot of love’s highs and the insecurities that linger just beneath the surface.

Henry Moodie is gearing up for an exciting summer on the road, kicking off with supporting Dean Lewis on the European leg of his tour before heading on his first-ever headline Asia

tour this July. The rising singer-songwriter will bring his heartfelt pop sound to fans across the region, with stops in Kuala Lumpur, Seoul, Hong Kong, Taipei, Bangkok, and Tokyo. Following the Asia dates, Henry will join Lauren Spencer Smith as the main support on her The Art of Being a Mess tour across the UK and Europe this autumn. With dates including London’s Eventim Apollo, it marks a major live moment for Henry as he continues a busy and exciting year.

At just 21-years-old, Henry Moodie has already achieved more than 800 million streams worldwide, landed in the Top 10 most viewed UK artists on TikTok in 2022 & 2024, was named amongst Amazon Music’s Artists To Watch in 2023 and named in Rolling Stone's ‘Artists to Watch ’25’. After completing a songwriting diploma at BIMM music school, Henry discovered his voice as a solo artist and songwriter, bringing forth a deep emotional vulnerability and sweeping, timeless lyrics. Henry released his debut EP, ‘in all of my lonely nights’, in the winter of 2023. With a combined 645m streams across tracks including self-penned and produced ‘you were there for me’, global top 100 hit 'drunk text' and the heartfelt ‘pick up the phone’, a track which received 350k streams in its first day alone. Henry Moodie's "Good Old Days" tour, held in October and November 2024, celebrated the release of his second EP good old days. The tour featured performances across Europe and the UK, including a notable show at London's Roundhouse on October 28, 2024.

 

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Source: Nyou

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Filipino singer-songwriter Kate Torralba to perform at MUSICMEX in Mexico City

June 13, 2025

The award-winning multi-hyphenate is also gearing up for the release of her upcoming sophomore album to be released in late 2025

Acclaimed Filipino singer-songwriter and multidisciplinary artist Kate Torralba will be representing the Philippines at the first edition of MUSICMEX, a premier music showcase festival dedicated to fostering collaborations, cultural exchanges, and business opportunities in music.

 

The event will take place in Mexico City, with Torralba performing on Thursday, June 19, 2025, at Jardin Jacarandas.

 

Torralba’s participation marks an important moment for Asian representation in Latin American music markets, highlighting the country’s potential as a goldmine of creative talents in contemporary music. “I’ve always heard amazing things about the music scene in Mexico from musician-friends in Berlin and Tokyo,” shares Kate in a press statement. “I’m so psyched to finally experience it myself, and even more I feel so lucky to have been chosen to represent my country in this international music industry event.”

 

Known for her artistic versatility, KT has established herself as one of the Philippines’ most respected creative fixtures. A true hyphenate, she seamlessly navigates the worlds of music, fashion, literature, and film. She is a Palanca-winning writer, a mentee of National Artist Ryan Cayabyab for music, and a rising filmmaker whose debut short film Ha-Ha-Hambog garnered three nominations at the recent International Silent Film Festival Manila: Best Film, Best Director and Best Musical Score.

 

In 2014, Kate Torralba released her full-length album, Long Overdue. An introspective indie-pop record, it was lauded for its vulnerable songwriting and lush production, topping year-end lists including the now-defunct music publication Vandal On The Wall. A decade later, she is finally working on the much-anticipated follow-up, slated to be released in late 2025.

 

For her set, Kate promises an intimate and engaging show with storytelling in between songs. “I think what sets me apart from other musicians is that I am a multi-hyphenate artist, my many creative transmissions inform my performance onstage. No set is ever the same because every crowd is different - and I always say that the show can only get as good as the crowd is.”

 

Joining Kate Torralba in the Philippine delegation to MUSICMEX are MC Galang and Ian Urrutia, co-founders of The Rest Is Noise PH, a music publication, curator, and events producer based in Manila, Philippines. They will be participating in a panel discussion about “Cultural Rhythms: Expanding Mexican Music to Southeast Asia.”

Source: Nyou

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South Korean artist-producer Ziv reflects love lost in translation with “Walkie Talkie,” featuring P-Pop sweethearts KAIA

June 10, 2025

The song finds magic in miscommunication, channeling vulnerability into an irresistible pop groove

 

 

South Korean artist-producer Ziv teams up with P-Pop girl group KAIA for his official new single, “Walkie Talkie,” out today via Sony Music Entertainment.

An ode to the dissonance of one-sided love or infatuation, “Walkie Talkie” uses the metaphor of mismatched frequencies to explore the intricacies of missed connections and unreciprocated feelings.

The track marks Ziv’s first collaboration as a lead artistand his second professional project with a signed act, following his work with award-winning Filipino folk-pop outfit, Ben&Ben on select songs from their third studio album, The Traveller Across Dimensions and their recent single “Saranggola.”

“And for my first collaboration, I am honored that it’s with KAIA,” shares the Philippine-raised, Korean multi-hyphenate in a recent Instagram post. “I saw how passionate and talented they are, and I am very thankful to them for hopping on this song with me! I am really excited to bring this song out for all to hear.”

Ziv reveals that the song was inspired by a friend of his who had a crush he believed felt the same way. However, it turned out the feelings were one-sided. “That’s where the inspiration for the lyrics came from. In hindsight, the fact that he shared everything through messages may have subconsciously sparked the idea of using a communication device as a metaphor.”

For their part, KAIA’s verses, according to them, were born from personal stories and shared experiences. “Our lyrics represent the universal sentiment of talking to someone who doesn’t even care about reciprocating the same enthusiasm,” KAIA explains. “That’s where the ‘walkie-talkie’ idea came in. It’s an ode to the folks whose vibe doesn’t match with each other despite the effort from the other camp. It helped us write our part with a mix of calm and uncertainty, and we wanted to capture and reflect that honesty in the lyrics.”

Known for his smooth, bedroom pop aesthetic with subtle electronic flourishes, Ziv leans into chilled-out sonic territory for “Walkie Talkie,” crafting an irresistible jam with crossover appeal. For their part, KAIA brings a fresh wave of polish and sincerity to the track, infusing their signature bubble-gum pop and 2000s-inspired R&B with quiet introspection.

The collab tune shines with layered textures, velvety vocals, and a delicate balance of restraint and emotion—solid proof that sometimes, contrasting frequencies can still create harmonies.

Ziv shared that the production process was challenging, but it ultimately pushed him to tap deeper into his creative instincts. He praised KAIA for their dedication and artistic discernment, noting how rare it is for artists to take such an initiative in perfecting their vocal recordings to truly honor the song’s message.

He adds, “Usually, I have to be the one to push artist to redo takes, or convey it in a different way. But with KAIA, it was really easy for me in a way because they knew what needed to be done, and I rarely had to be the one to push them. Sometimes, they challenged me on creative standpoint as a producer, which I appreciate.”

A music video accompanying the song is set to premiere soon on Ziv’s official YouTube channel. A joint creative effort, the visual narrative will echo the song’s core theme: the beauty and complexity of connection in a world of crossed wires.

Ziv’s “Walkie Talkie”, featuring KAIA, is out now on all digital music platforms worldwide via Sony Music Entertainment.

Source: Nyou

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James Vickery Releases A Heartfelt Single "Right Side" Out Now On Red Bull Records & Announces Brand New Studio Album 'JAMES.' Arriving September 12

June 10, 2025

LISTEN HERE

ANNOUNCES BRAND NEW STUDIO ALBUM
'JAMES.'
ARRIVING SEPTEMBER 12

Photo Credit: Ashley Verse

After two months of activities that have firmly put him on the map, standout South-London R&B artist James Vickery announced his brand-new studio album, 'JAMES.', will arrive on September 12th via Red Bull Records. Alongside the announcement, he’s also dropped a single, “Right Side”, which is out now. Fans can stream the song here and watch the video here. 

“Right Side” offers a fresh perspective on Vickery’s sound — a bold, groove-infused pop track that reveals a deeper, hidden meaning beneath its infectious rhythm. “I love the idea of something being disguised as a love song, so this was inspired by the fact that I always have to be on the left side of someone due to my deafness,” he explains. 

Following the release of the track, an official video directed by Cully Wright was unveiled, featuring an opening sound excerpt that mimics how James hears the world through his impairment.

James Vickery - "Right Side" (Official Video)

“Right Side” follows James' recent stunning comeback singles "Butter" & "Hotel Lobby", that have received praise across the board with major play-listing support across Southeast Asia. 

Joining forces with longtime collaborator JD Reid (Mahalia, Mabel, Sinead Harnett), producer Larrance Dopson (Kendrick Lamar, Ella Mai, Justin Timberlake) and Grammy-nominated LA songwriter/composer Jonah Christian (Beyonce, Normani, Tems), his stunning new album is a remarkably assured statement – one that introduces a whole new sound to his audience.

“'JAMES.' is an album that I always wanted to make but I never knew how to”, says Vickery. “This is the first time in my life I’ve made music with no restrictions or felt the pressure to please anyone. In this album you will find everything from emotional heart-wrenching ballads to upbeat funk-driven summery bangers. I feel like this album captures every essence that makes up the different components of myself. It’s the most true, raw and authentic reflection of me, James”.

Vickery has a rare gift for transforming deeply personal experiences into universally resonant music. His sense of resilience and catharsis is especially clear on forthcoming songs like “Fall In Your Arms”, a poignant ballad underscored by somber piano chords, where he pleads for just a moment more of closeness. Unafraid to explore new sonic territory, Vickery steps confidently outside his comfort zone on “Higher”, a buoyant, Eighties-inspired anthem where shimmering synths and a soaring chorus showcase his vocal range and optimism.

Together, these tracks form the core of an album Vickery calls his most authentic yet, blending classic R&B, Seventies funk, soul, and the pop sounds of the late Nineties and early 2000s that shaped him. That organic energy is palpable throughout - a bold, emotionally rich statement from an artist fully embracing who he is.

'JAMES.' Tracklisting

1. Hotel Lobby
2. Butter
3. Like That (ft. BIA)
4. All In
5. Right Side
6. Miss A Thing
7. You & I (Interlude)
8. ILU
9. Better Days
10. Higher
11. Hanging On
12. Fall In Your Arms

Stream "Right Side" here: https://james-vickery.ffm.to/rightside
Watch the video here: 
https://www.youtube.com/watch?v=djkgi1dxAiI
Pre-save 'JAMES.' here: 
https://james-vickery.ffm.to/james

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About James Vickery

James Vickery bares his soul in 'JAMES.', a bold, self-titled album that redefines his sound. From the cinematic strings of “Hotel Lobby” to the woozy beat of “Higher”, each track showcases his exceptional voice—one he nearly lost due to a life-threatening ear condition. Diagnosed with cholesteatoma at eight, Vickery was left deaf in one ear, but a vocal coach helped him discover his gift. 

His 2021 documentary 
Louder explored his journey, including his Welsh and South African heritage and struggles with identity. Once driven by a need for acceptance, Vickery has now embraced his truth: “This is real, it’s me". 

“I think my whole career, I was really trying to be accepted by different communities while being afraid that they would reject me,” he says. “I would make music to try and impress people without realising it.” Somewhere along the road, though, he found an inner peace—one that allowed him to fully embrace himself and his artistry.

His career boasts a 
COLORS SHOW with nearly 40 million views and collaborations with Musiq Soulchild, EarthGang, and SG Lewis. His independent 'Sheet Music' EP highlighted his versatility, while 'JAMES.' moves beyond strict R&B, blending funk, hip-hop, and pop with producers JD Reid, Larrance Dopson, and Jonah Christian. 

Tracks like “Hotel Lobby” groove on bossa nova rhythms, while “Butter”, originally meant for another artist, became a heartfelt confession of yearning. “Right Side” disguises his hearing loss as a love song, and “Higher” channels ‘80s synth-pop with dazzling vocal runs. The album’s finale, “Fall In Your Arms”, is a raw, orchestral ballad closing the emotional journey. 

“This is the most authentic version of me,” Vickery says. Seamlessly merging classic R&B, ‘70s funk, and early 2000s pop, 
'JAMES.' cements him as a fearless artist with a sound uniquely his own. 

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Addison Rae releases highly anticipated debut album Addison

June 9, 2025

Addison Album Artwork

Photo Credit: Ethan James Green

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Pop superstar, songwriter, actress and cultural phenomenon Addison Rae proudly releases her anxiously awaited debut album, Addison, today via Columbia Records. Addison is available now digitally and on multiple physical formats. Fans can choose from black vinyl, limited edition light blue vinyl, tangerine vinyl, Urban Outfitters exclusive magenta vinyl, and CD box set with exclusive t-shirt.

Alongside the 12-track album release, the pop sensation debuts a brand-new music video for the track “Times Like These.” Directed by legendary photographer Ethan James Green—who also shot the album’s artwork—the video marks his directorial debut in music. The concept was creatively led by Addison Rae and Lexee Smith, brought to life by her go-to glam dream team: Dame Pat McGrath and Jenna Kuchera on makeup, Lucas Wilson on hair, and nails by Mei. Shot across New York City scenes, the video blends effortless cool with emotional depth. Fans follow Addison from a breezy boat ride to backstage scenes and ultimately into her signature, high-energy choreography. Art direction was led by Marcs Bird, with movement direction by Danielle Polanco.

Fans have eagerly anticipated Addison Rae’s debut full-length project following the breakout success of her lead single “Diet Pepsi,” released in August 2024. The infectious summer anthem earned widespread acclaim, marked her first Billboard Hot 100 entry, and set the tone for a streak of equally praised singles. She followed with the hypnotic “Aquamarine” and the bold, fashion-forward “High Fashion,” both accompanied by visually stunning videos that reflect her deep ties to the fashion world, featuring collaborators like Dara Allen, Mel Ottenberg, Mitch Ryan, and Dame Pat McGrath. Singles like “Headphones On,” hailed by Harper’s Bazaar as part of her “streak of winning singles,” and “Fame Is A Gun,” her most recent release, have only strengthened her position as one of pop’s most captivating new voices. The album was entirely produced by Luka Kloser and Elvira Anderfjärd, with all tracks written by Addison Rae alongside Kloser and Anderfjärd. Tove Burman contributed as an additional writer on the track “Headphones On.”

Press and critics alike have already begun to embrace Addison as one of the standout pop albums of the year. The New York Times called it “one of the year’s signature pop releases,” praising Addison’s “sweet and foggy” vocals, “as if sung from the outer edge of a dream.” Rolling Stone described the album’s tracks as “hypnotic, trance-like pop songs, pulsating and lush,” celebrating its vivid imagery and Rae’s ability to “make people dance” while never taking herself too seriously. 

A natural-born performer and no stranger to the stage, Addison made her live performance debut last year as a surprise guest on Charli XCX’s sold-out BRAT Tour in Los Angeles, followed by a show-stopping appearance alongside both Charli and Troye Sivan at their SWEAT Tour stop at Madison Square Garden. She continued to build buzz with two unforgettable surprise sets at Coachella: first, joining Arca to perform “Arcamarine,” a reimagining of her single “Aquamarine,” and later reuniting with Charli XCX to deliver their viral remix of “Von Dutch,” complete with Addison’s now-iconic scream. Tonight, she brought the full Addison experience to life with a debut performance of the album at New York City’s legendary venue The Box, electrifying a packed room of fans and tastemakers.

The track list for Addison was revealed globally in a track-by-track unveiling via billboards in different cities announcing each song title leading up to the official complete track list posted to her social account here. The complete track list for Addison below.

 

Addison Track List:

1. New York

2. Diet Pepsi

3. Money is Everything

4. Aquamarine

5. Lost & Found

6. High Fashion

7. Summer Forever

8. In The Rain

9. Fame is a Gun

10. Times Like These

11. Life’s No Fun Through Clear Waters

12. Headphones On

 

Addison Rae is managed by Ocean Avenue and represented by WME and The Lede Company. Her attorneys are Felcher & Freifeld, LLP and Nixon Peabody, LLP.

 

Photo Credit: Ethan James Green

Download HERE

 

 

 

ABOUT ADDISON RAE

Addison Rae has become one of the most recognizable young stars in Hollywood. In August, she released "Diet Pepsi," marking her first collaboration with Columbia Records. The single made a significant impact, becoming Addison's first to enter the Billboard Hot 100 chart. Released alongside a music video directed by Sean Price Williams and under the creative direction of Mel Ottenberg, "Diet Pepsi" continues to cement Addison’s growing influence in music. She followed “Diet Pepsi” with “Aquamarine,” which featured a dazzling music video shot in Paris, France. Then, with her third single, “High Fashion,” PAPER Magazine declared that Addison had gone “three for three,” calling the new track “hypnotic and euphoric.” She continued the streak with “Headphones On,” a critically acclaimed single that also charted on the Billboard Hot 100, and her most recent hit, “Fame is a Gun.” Her debut album Addison will be released on June 6. Last year, she released her long-awaited debut EP, AR. The EP gained 10 million streams in its first week and features the hit song “2 Die 4,” featuring Charli XCX. Continuing her collaboration with Charli, Addison joined her on the remix of the viral hit song “Von Dutch” this past summer. On the film side, Addison was recently announced as a star in Legendary’s R-rated live-action hybrid Animal Friends, opposite Ryan Reynolds, Jason Momoa, Dan Levy, and Aubrey Plaza. She was also recently seen in Eli Roth’s horror film Thanksgiving, opposite Patrick Dempsey. The film debuted in theaters globally and was later added to Netflix, where it quickly hit #1 (marking her second film to achieve this milestone). In 2021, Addison starred in Netflix’s He’s All That, directed by Mark Waters. The film, a gender-switched reboot of the 1999 cult classic She’s All That, premiered as the #1 movie on the platform in 80 countries. Since the beginning of 2020, Addison has amassed over 88 million followers on TikTok, with over 5.8 billion likes, and 34 million followers on Instagram.

Source: Nyou

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EVANESCENCE RELEASES EXPLOSIVE NEW COLLABORATION “FIGHT LIKE A GIRL (feat. K.FLAY)”

June 9, 2025

LISTEN HERE

WATCH THE LYRIC VIDEOHERE

 

FIRST END TITLE TRACK FROM THE HOTLY ANTICIPATED

JOHN WICK UNIVERSE FILMBALLERINA

 

 

(Los Angeles– June 6, 2025) – Today, GRAMMY® Award-winning rock band Evanescence and alt-rock visionary K.Flay have released their explosive new song, “Fight Like A Girl.” (SONY). Announced earlier this week, the song is featured as the first end title song inBallerina, the hotly anticipated film set in the world of John Wick, in theaters today. Alongside the new release, they also shared a lyric video for the new track. Watch HERE.

 

Co-written by Evanescence lead singer Amy Lee, K.Flay, Dylan Eiland, and Ballerina film composer Tyler Bates, who also produced the track, “Fight Like A Girl” follows the release of Halsey and Amy Lee’s thunderous track “Hand That Feeds,” the first original song recently revealed from the film in early May.

 

Fueled by fierce energy and defiance, “Fight Like A Girl” channels the film’s themes of vengeance, resilience, and female empowerment, mirroring its adrenaline-pumping intensity and emotional depth. Ballerina, starring Ana de Armas, Anjelica Huston, Gabriel Byrne, Lance Reddick, Catalina Sandino Moreno, Norman Reedus, with Ian McShane, and Keanu Reeves, is set to electrify audiences with its high-octane action and raw emotional stakes. Directed by Len Wiseman and written by Shay Hatten, based on characters by Derek Kolstad, the film is produced by Basil Iwanyk, Erica Lee, and Chad Stahelski.

 

Taking place during the events of John Wick: Chapter 3 – Parabellum, Ballerina follows Eve Macarro (Ana de Armas) who is beginning her training in the assassin traditions of the Ruska Roma.

 

Lionsgate presents, a Thunder Road Films / 87eleven Entertainment production.

 

Evanescence will kick off a run of live shows later this fall, making stops on My Chemical Romance:The Black Parade tour and Louder Than Life festival before joining Metallica on their M72 World Tour. Tickets are on sale now and can be purchased here.

 

EVANESCENCE TOUR DATES

September 13                    Raymond James Stadium               Tampa, FL (with My Chemical Romance)

September 18                              Fiserv Forum                                      Milwaukee, WI (102.9 HOG Havoc)

September 19                              Xcel Energy Center                           Saint Paul, MN (93X Family Reunion)

September 21                    Louder Than Life Festival               Louisville, KY

November 1                       Optus Stadium                                   Burswood, AU (with Metallica)

November 5                       Adelaide Oval                                     North Adelaide, AU (with Metallica)

November 8                       Marvel Stadium                                 Docklands, AU (with Metallica)

November 12                     Suncorp Stadium                              Milton, AU (with Metallica)

November 15                     Accor Stadium                                   Sydney Olympic Park, AU (with Metallica)

November 19                     Eden Park                                            Auckland, NZ (with Metallica)     

 

 

ABOUT EVANESCENCE:

In 2003, when the rock charts were dominated by predominantly male nü-metal and post-grunge acts, a young female-fronted band from Arkansas stood out from the crowd, offering something entirely new. They were Evanescence – and with their debut album, Fallen, they transformed the rock landscape. Led by frontwoman Amy Lee, Evanescence’s cinematic blend of metal and symphonic, piano-driven melodies captured a generation, while Fallen set the band on a path to global superstardom, earning them multiple GRAMMYS®, and becoming one of the highest-selling albums of all time.

 

Released in the spring of 2003, Fallen resonated deeply with fans, selling more than 141,000 copies in its first week and peaking at No.3 on the Billboard Top 200 Albums Chart, where it spent an astonishing 43 weeks in the Top 10. Within a month, Fallen was certified Platinum by the RIAA, while it was a Top 10 hit in more than ten countries, reaching No.1 in the UK, Canada, Australia, and across Europe. Much of the album’s initial success can be attributed to its stratospheric singles, including “Bring Me to Life,” which broke the Top 10 in more than 15 countries and topped Billboard’s Mainstream Top 40 and Alternative Airplay charts. “My Immortal” was a Top 10 hit in over ten countries, including the US, UK, and Australia. 

 

At the 2004 GRAMMYS®, Evanescence received five nominations, including Album of the Year, Best Rock Album, Best Hard Rock Performance for “Bring Me to Life,” and Best New Artist, taking home the latter two. The following year, “My Immortal” received a nod for Best Pop Performance by a Duo or Group with Vocals.

 

Today, Fallen holds steady as the sixth best-selling album of the 21st century (ranking just behind Lady Gaga’s The Fame and ahead of Coldplay’s A Rush of Blood to the Head) and remains one of the best-selling albums of all time, with more than 17 million copies sold worldwide. In 2022, Fallen received a rare Diamond certification from the RIAA, which recognizes 10 million units in US album sales. As a testament to the album’s enduring appeal, the video for “Bring Me To Life” surpassed 1.2 billion views on YouTube, making it one of the most-watched rock videos of all-time while “My Immortal” follows close behind.

 

To date, Evanescence has released a total of five studio albums, including the multi-platinum The Open Door (2004) and Evanescence (2011), both of which topped the Billboard 200. In 2021, the band thrilled fans with their first album of new material in a decade, The Bitter Truth. Now 20 years on, Evanescence continues to scale new heights.   Featuring a line-up of Amy Lee (vocals, keyboards), Tim McCord (guitar/bass), Will Hunt (drums), Troy McLawhorn (guitars), and Emma Anzai (bass, backing vocals), the band continues to travel the globe, staging some of the most successful shows of their career, including Allianz Parque, a soccer stadium in Sāo Paulo, Brasil, which was the biggest headline show of Evanescence’s career to date, drawing 40,000 fans.  Evanescence’s most recent single, “Afterlife” from the Netflix series, Devil May Cry. has had great success with over 20 million streams and over 10 million views on YouTube in just the first few weeks.  “Afterlife” is the fastest moving single of the band’s career.  Evanescence will perform a small amount of special shows in 2025 Tampa, FL with My Chemical Romance and Australia and New Zealand with Metallica.   To see full show details, please visit Evanescence.com. 

 

ABOUT K.FLAY:

Based in LA and originally from Illinois, multi-platinum artist K.Flay, born Kristine Flaherty, started rapping and writing songs on a lark while attending Stanford University, and soon began releasing her self-produced mixtapes. In 2017 she released her major label debut album Every Where Is Some Where, earning two GRAMMY Award nominations for the album’s iconic smash single “Blood in the Cut” and sending her to arenas around the world with her kinetic live set. As a songwriter, musician, and producer, she’s lent her talents to numerous collaborations, working with Tom Morello, Imagine Dragons, Mike Shinoda, Fitz and the Tantrums, Bishop Briggs, Louis the Child, Kaskade, Walk the Moon, grandson, The Regrettes, Two Feet, MisterWives, and more. Whether working on her own music or with others, K.Flay’s output remains rooted in her undeniable lyrical skills, an element she attributes to her innate love of language and its infinite possibilities. Her fifth studio album, MONO, is her first since going suddenly and completely deaf in her right ear in 2022. Although K.Flay’s hearing loss deeply informed her songwriting on the album, MONO marked the start of a new era for the artist, who explores an entire spectrum of existential questions and complex matters of the heart and mind on the LP. A relentlessly boundary-pushing artist with more than 1 BILLION streams and 100K+ tickets sold, K.Flay continues to commit herself to constant growth by holding herself to higher and more rigorous standards in every aspect of her artistry.  www.kflay.com

Source: Sony Music

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James Reid offers breather in love’s chaos on new single “Pahinga,” featuring TJ Monterde

June 6, 2025

It serves as the lead single off ‘jgh’ deluxe EP, which also features live versions of “Your Boy,” “Hurt Me Too,” and “Pahinga”—to name a few

 

Multi-awarded singer, actor, and all-around creative force James Reid has officially dropped his new single “Pahinga,” featuring pop hitmaker TJ Monterde.

The soul-stirring collaboration serves as the focus track off the jgh (Deluxe) EP, released today under Sony Music Entertainment and Careless Music.

Produced by James Reid and Brian Lotho and co-written by both artists with Jason Marvin and TJ Monterde, “Pahinga” offers a refreshing take on love’s quiet resilience. The track doubles as a searing ballad thatreflects the maturity of lovers during difficult moments, not by fighting harder but by pausing with care.

According to James, “Pahinga” doesn’t demand resolution through drama; it seeks solace in stillness. The song essays the quiet understanding between partners who, in the wake of emotional storms, choose to pause, breathe, and stay for love.

“It began with a real-life experience,” James recounts a previous encounter, which became the inspiration in writing the track. “I realized you need to quiet the mind so you can hear your heart. Pahinga is about patience and perseverance in relationships. The blend of country and R&B was something I’ve been wanting to try recently, and I think the genre really helped bring out the sincerity of what we were trying to say.”

From its tender, soothing melodies to its vulnerable lyrics (Pahingi nang isang minuto, mataas lang emosyon ko ngayon. But after all this, mahal pa rin kita), the track carries the weight of truth only lived-in love can bear. With Monterde’s signature warmth and Reid’s introspective sincerity, “Pahinga is a lullaby for grown-up hearts still learning how to rest in love.

But “Pahinga” is just one chapter of a larger story. It anchors the jgh (Deluxe) EP, a carefully expanded edition of James’ 2024 release of the same title. The deluxe version of the EP also contains live versions of all the songs in the previously released record, with the addition of “Your Boy,” “Pahinga” and “Hurt Me Too,” which further underscore the record’s intimate appeal.

“I’ve really enjoyed recording live versions of my songs, so I wanted to package them together with my new song, Pahinga, to wrap up the whole JGH journey back into OPM,” reveals the ‘Mirasol’ singer in a press statement.

Eschewing polish for authenticity, these renditions echo the warmth of a jam session shared among close friends. James and his team wanted the listeners to feel “like they were there in the room with him and the band,” while embracing the imperfection and intimacy that come with an unplugged recording. “I wanted the audience to feel like they’re there hanging out with me,” he adds.

First released in 2024, ‘jgh’ marked James’ pivotal return to making pop-leaning tracks with distinct OPM sensibilities. ‘jgh’ deluxe EP (short for “just got home”)gives an intimate glimpse into the celebrated multi-hyphenate’s past and present life, chronicling how he has matured all these years, both as an artist and as a person.

With a blend of pop, R&B, and OPM sensibilities, the EP captures Reid at his most vulnerable, rediscovering the earnest, grounded parts of his identity that he may have lost touch with and learning to forgive himself and accept the flaws that came with it. Now with the deluxe edition, that homecoming feels even more complete.

James Reid’s new album, ‘jgh’ deluxe EP is out now on all digital music platforms worldwide via Sony Music Entertainment and Careless Music. Watch out for the release of the “Pahinga” live performance video via James Reid’s official YouTube channel.


Source: Nyou

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EVANESCENCE REVEALS EXPLOSIVE NEW COLLABORATION “FIGHT LIKE A GIRL (feat. K.FLAY)”

June 5, 2025

PRE-SAVE HERE

 

 

LOS ANGELES – June 2, 2025 – GRAMMY® Award-winning rock band Evanescence and alt-rock visionary K.Flay have teamed up for their first-ever collaboration on the explosive new song, “Fight Like A Girl.” (SONY). The song is featured as the first end title song in Ballerina, the hotly anticipated film set in the world of John Wick. Both the song and the film are out this Friday, June 6th.

 

Co-written by Evanescence lead singer Amy Lee, K.Flay, Dylan Eiland, and Ballerina film composer Tyler Bates, who also produced the track, “Fight Like A Girl” follows the release of Halsey and Amy Lee’s thunderous track “Hand That Feeds,” the first original song recently revealed from the film in early May.

 

Fueled by fierce energy and defiance, “Fight Like A Girl” channels the film’s themes of vengeance, resilience, and female empowerment, mirroring its adrenaline-pumping intensity and emotional depth. Ballerina, starring Ana de Armas, Anjelica Huston, Gabriel Byrne, Lance Reddick, Catalina Sandino Moreno, Norman Reedus, with Ian McShane, and Keanu Reeves, is set to electrify audiences with its high-octane action and raw emotional stakes. Directed by Len Wiseman and written by Shay Hatten, based on characters by Derek Kolstad, the film is produced by Basil Iwanyk, Erica Lee, and Chad Stahelski.

 

“Tyler calling me up to create this song for Ballerina couldn’t have come at a more perfect time, I know I’m not the only girl out there ready to dig my heels in and show the world what we’re made of,” said Amy Lee. “I really wanted this song to be a collab, and K.Flay is one of my favorite artists. It is literally a dream come true to do this together!”

 

“Amy sent me the demo and I was immediately so energized, so inspired,” said K.Flay. “I was on tour at the time, and I wrote my verse backstage after a show, when my adrenaline was still super high. For me, the film and the song are both about how we channel our pain and how we choose to define ourselves. What separates the hero from the villain?”

 

Taking place during the events of John Wick: Chapter 3 – Parabellum, Ballerina follows Eve Macarro (Ana de Armas) who is beginning her training in the assassin traditions of the Ruska Roma.

 

Lionsgate presents, a Thunder Road Films / 87eleven Entertainment production.

 

Evanescence will kick off a run of live shows later this fall, making stops on My Chemical Romance:The Black Parade tour and Louder Than Life festival before joining Metallica on their M72 World Tour. Tickets are on sale now and can be purchased here.

 

EVANESCENCE TOUR DATES

           

September 13             Raymond James Stadium      Tampa, FL (with My Chemical Romance)

September 18                 Fiserv Forum                           Milwaukee, WI (102.9 HOG Havoc)

September 19                 Xcel Energy Center                Saint Paul, MN (93X Family Reunion)

September 21             Louder Than Life Festival       Louisville, KY

November 1                Optus Stadium                        Burswood, AU (with Metallica)

November 5                Adelaide Oval                         North Adelaide, AU (with Metallica)

November 8                Marvel Stadium                       Docklands, AU (with Metallica)

November 12              Suncorp Stadium                    Milton, AU (with Metallica)

November 15              Accor Stadium                        Sydney Olympic Park, AU (with Metallica)

November 19              Eden Park                               Auckland, NZ (with Metallica)

 

 

ABOUT EVANESCENCE:

 

In 2003, when the rock charts were dominated by predominantly male nü-metal and post-grunge acts, a young female-fronted band from Arkansas stood out from the crowd, offering something entirely new. They were Evanescence – and with their debut album, Fallen, they transformed the rock landscape. Led by frontwoman Amy Lee, Evanescence’s cinematic blend of metal and symphonic, piano-driven melodies captured a generation, while Fallen set the band on a path to global superstardom, earning them multiple GRAMMYS®, and becoming one of the highest-selling albums of all time.

 

Released in the spring of 2003, Fallen resonated deeply with fans, selling more than 141,000 copies in its first week and peaking at No.3 on the Billboard Top 200 Albums Chart, where it spent an astonishing 43 weeks in the Top 10. Within a month, Fallen was certified Platinum by the RIAA, while it was a Top 10 hit in more than ten countries, reaching No.1 in the UK, Canada, Australia, and across Europe. Much of the album’s initial success can be attributed to its stratospheric singles, including “Bring Me to Life,” which broke the Top 10 in more than 15 countries and topped Billboard’s Mainstream Top 40 and Alternative Airplay charts. “My Immortal” was a Top 10 hit in over ten countries, including the US, UK, and Australia. 

 

At the 2004 GRAMMYS®, Evanescence received five nominations, including Album of the Year, Best Rock Album, Best Hard Rock Performance for “Bring Me to Life,” and Best New Artist, taking home the latter two. The following year, “My Immortal” received a nod for Best Pop Performance by a Duo or Group with Vocals.

 

Today, Fallen holds steady as the sixth best-selling album of the 21st century (ranking just behind Lady Gaga’s The Fame and ahead of Coldplay’s A Rush of Blood to the Head) and remains one of the best-selling albums of all time, with more than 17 million copies sold worldwide. In 2022, Fallen received a rare Diamond certification from the RIAA, which recognizes 10 million units in US album sales. As a testament to the album’s enduring appeal, the video for “Bring Me To Life” surpassed 1.2 billion views on YouTube, making it one of the most-watched rock videos of all-time while “My Immortal” follows close behind.

  

To date, Evanescence has released a total of five studio albums, including the multi-platinum The Open Door (2004) and Evanescence (2011), both of which topped the Billboard 200. In 2021, the band thrilled fans with their first album of new material in a decade, The Bitter Truth. Now 20 years on, Evanescence continues to scale new heights.   Featuring a line-up of Amy Lee (vocals, keyboards), Tim McCord (guitar/bass), Will Hunt (drums), Troy McLawhorn (guitars), and Emma Anzai (bass, backing vocals), the band continues to travel the globe, staging some of the most successful shows of their career, including Allianz Parque, a soccer stadium in Sāo Paulo, Brasil, which was the biggest headline show of Evanescence’s career to date, drawing 40,000 fans.  Evanescence’s most recent single, “Afterlife” from the Netflix series, Devil May Cry. has had great success with over 20 million streams and over 10 million views on YouTube in just the first few weeks.  “Afterlife” is the fastest moving single of the band’s career.  Evanescence will perform a small amount of special shows in 2025 Tampa, FL with My Chemical Romance and Australia and New Zealand with Metallica.   To see full show details, please visit Evanescence.com. 

 

ABOUT K.FLAY:

 

Based in LA and originally from Illinois, multi-platinum artist K.Flay, born Kristine Flaherty, started rapping and writing songs on a lark while attending Stanford University, and soon began releasing her self-produced mixtapes. In 2017 she released her major label debut album Every Where Is Some Where, earning two GRAMMY Award nominations for the album’s iconic smash single “Blood in the Cut” and sending her to arenas around the world with her kinetic live set. As a songwriter, musician, and producer, she’s lent her talents to numerous collaborations, working with Tom Morello, Imagine Dragons, Mike Shinoda, Fitz and the Tantrums, Bishop Briggs, Louis the Child, Kaskade, Walk the Moon, grandson, The Regrettes, Two Feet, MisterWives, and more. Whether working on her own music or with others, K.Flay’s output remains rooted in her undeniable lyrical skills, an element she attributes to her innate love of language and its infinite possibilities. Her fifth studio album, MONO, is her first since going suddenly and completely deaf in her right ear in 2022. Although K.Flay’s hearing loss deeply informed her songwriting on the album, MONO marked the start of a new era for the artist, who explores an entire spectrum of existential questions and complex matters of the heart and mind on the LP. A relentlessly boundary-pushing artist with more than 1 BILLION streams and 100K+ tickets sold, K.Flay continues to commit herself to constant growth by holding herself to higher and more rigorous standards in every aspect of her artistry. www.kflay.com

Source: Sony Music

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The Itchyworms to cross continents with #AKinKaNaLangUK Tour

June 5, 2025

Longtime Beatles fans The Itchyworms gear up for a meaningful UK debut, championing nostalgia, rock music, and Pinoy Rock

Filipino rock icons The Itchyworms marks their long-awaited debut in the UK with the #AkinKaNaLangUK Tour.

The chart-topping act behind the hits “Beer,” “Love Team,” and “Di Na Muli” are set to bring their inescapable live performances and anthemic sound through a three-city tour covering Manchester, Liverpool, and London.

As lifelong Beatles fans, the band is especially thrilled to be stepping onto the same stages and streets that shaped their musical heroes.

“We’re HUGE Beatles fans, so I’m excited to go to Abbey Road with my bandmates, and of course Liverpool, and play at the Cavern Club where the Beatles first performed,” shared Vocalist/Drummer Jazz Nicolas. “England feels like our ultimate frontier.”

The UK leg of the tour follows the band’s well-received shows across Japan, Singapore, the US, Canada, and Taiwan. The response during their tour was met with overwhelming love from global fans—many of whom introduced the band’s music to friends and partners of all nationalities.

“What I realised is they don’t care if they understand the words—they understand the feeling,” said Vocalist/Guitarist Jugs Jugueta, reflecting on the universal language of music.

Between shows, the band hopes to squeeze in some sightseeing and soak up the musical heritage of each city.

Jugs explains, “I’ve been to London three times already, but this is the first time I’m going there with my bandmates. We’ll be geeking out on all things Beatles!”

But touring isn’t without its challenges. With a lean crew that includes only a manager, sound engineer, and sometimes one tech, The Itchyworms emphasize flexibility and endurance on the road.

Kelvin Yu, the band’s bassist, shared some tips when it comes to touring the world as an artist from the Philippines. “Our tip to other bands: Start with Japan or Singapore. They’re close to the Philippines, cheaper, and have great gig opportunities with strong Filipino communities.”

Despite the logistical hurdles, the band remains energized by the global enthusiasm for OPM (Original Pilipino Music).

“OPM deserves to be heard and appreciated internationally—and we’re seeing that happen more and more,” the award-winning band shares in a press statement. “We love it!”

The tour has already yielded some unforgettable moments—from a fan in Osaka who tried to kiss two band members, to an enthusiastic senior in Chicago who attempted a surprise striptease mid-show.

As for what audiences can expect from their live performances, the band puts it simply:

“For more than two hours, we hope the music brings people back to the Philippines. We want them to forget their problems and just enjoy Filipino music with fellow Filipinos.”

And the journey doesn’t stop here. While the UK marks a milestone, the band hints at future legs in Australia, New Zealand, a return to Canada in 2026, and possibly, some stops in Southeast Asia.

To their UK fans, the band has a heartfelt message: “We’re so excited to meet you all in Manchester, Liverpool, and London! If you see us on the streets, don’t be shy to say hello!”

Catch The Itchyworms on the #AkinKaNaLangUK Tour:

June 22 (Sun) - Night & Day Cafe (Manchester)

June 23 (Mon) - Cavern Club (Liverpool)

June 28 (Sat) - Dingwalls Camden (London)

Tickets available at: www.itchyworms.com

Follow The Itchyworms on social media for updates and behind-the-scenes moments:

Facebook: The Itchyworms Facebook Page

Instagram: @theitchyworms

X (formerly Twitter): @theitchyworms

Spotify: The Itchyworms on Spotify

TikTok: @theitchyworms

YouTube: The Itchyworms Official Channel

 Source: Nyou 

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YARA flips the script with “Sabi Ko Na (Remix),” featuring Nateman

June 5, 2025

The remix reframes the narrative with sharp verses and streetwise tension, challenging perceptions in the age of curated realities

 

Rising P-Pop group YARA joins forces with drill rapper Nateman for the newly released “Sabi Ko Na (Remix),” out today via Sony Music Entertainment.

Originally written by award-winning producer, singer, and songwriter JRoa and produced by Yung Bawal, the Y2k-inspired track gets a swagger-filled upgrade. Nateman’s incisive yet playful verses add grit and depth to the material, transforming the song into a more dynamic version of itself.

“Nateman came in hard with his straightforward bars and a laid-back yet intense delivery,” shares the Filipina pop alphas. “His flow was sharp, and his confidence really came through. He added this gritty, street-smart flavor that made the track different. It wasn’t just a remix anymore; it had a whole new personality. He was the perfect guy to represent the flip side of the story.”

While “Sabi Ko Na” revolves around gut instinct—knowing something’s off without clear evidence—the remix takes a more nuanced approach. Nateman’s verse offers a compelling counterpoint that challenges assumptions and injects tension to the narrative.

“In a world where people can easily curate how they appear, we felt it was important to show both sides,” explains the sassy four-piece act. “The remix isn’t just a one-sided callout anymore, it becomes a conversation about doubt, perception, and how hard it can be to really know someone. That complexity is what makes the message hit deeper.”

YARA adds, “People are quick to judge based on what they see online, so it felt important to push for deeper thinking. We want listeners to not just feel, but also question, reflect, and really understand both sides before making conclusions.”

YARA also reflects on their creative synergy with Nateman during the recording phase. The Filipino hip-hop soloist emphasized emotion over technical perfection, an insight that remarkably left a lasting impression.

“That’s when he shared something that really stuck with us: in hip-hop, perfection isn’t always the goal,” the P-Pop quartet shares. “Sometimes, it’s the little imperfections: the sabit and the raw moments that bring out the authenticity and emotion in a track. That perspective gave us a whole new appreciation for letting go and just feeling the music.”

With lush melodies, infectious hooks, and Darkchild-style production, the song finds YARA at their most confident, delivering attitude and sonic sophistication in equal measure. Thanks to Nateman’s lyrical edge and sonic swagger, the reimagined version breathes new life into the track, giving it a second wind worth the listen.

YARA and Nateman’s “Sabi Ko Na (Remix)” is out now on all digital music platforms worldwide via Sony Music Entertainment. Watch out for the release of“Sabi Ko Na (Remix)” music video on YARA’s official YouTube channel.

Source: Nyou

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ATARASHII GAKKO!, FRUITS ZIPPER and CUTIE STREET Celebrate Major Wins and Nominations at Music Awards Japan 2025

June 2, 2025

ATARASHII GAKKO!, FRUITS ZIPPER, and CUTIE STREET, three standout acts under Japanese creative agency ASOBISYSTEM, made a powerful statement at Music Awards Japan 2025, winning major honours and earning multiple nominations across key categories. Together, the boundary-breaking artists highlight a bold new era for Japanese Pop - defined by individuality, innovation and global resonance.
 
Creative powerhouse ASOBISYSTEM, the talent agency and production company behind these artists also received the Innovator of the Year award, in recognition of its trailblazing approach to Japanese pop culture and its efforts in championing non-conventional artists on a global stage.
 
ASOBISYSTEM founder and CEO, Mr. Yusuke Nakagawa, reflected on the company’s recognition:
 
“At ASOBISYSTEM, we’ve always believed in the power of creativity to shift culture. ATARASHII GAKKO!, FRUITS ZIPPER and CUTIE STREET embody that mission perfectly, being fearless and original. We’re deeply grateful to the Music Awards Japan for recognising not just our artists, but the creative community that supports them.”
 
Upon receiving the Best Japanese Dance-Pop Artist Award, ATARASHII GAKKO! member SUZUKA shared:
 
“I want to thank everyone for this award. Honestly, we can’t get enough of expressing difficult emotions and subtle nuances that cannot be expressed in words through our dance. We hope to continue to create a sense of unity with all of our fans and everyone around the world through dance, and to have as much fun as possible.”
 
MIZYU also reflected on their win in the Best Dance Performance Award category:
 
“The song ‘OTONABLUE’ was created in 2019, before the pandemic, and released in 2020. It’s such an important song that really triggered our popularity in 2023, and so many people were introduced to ATARASHII GAKKO! because of it. We’re so thankful for music, and to be able to sing and dance around the world every day. We want to keep fighting on the Japan stage, the world stage, and the global stage as ATARASHII GAKKO!”
 
Meanwhile, rising idol group FRUITS ZIPPER was also honoured, with member Suzuka Chinzei expressing heartfelt gratitude on receiving the Best Idol Culture Song Award:
 
“We want to thank everyone from the bottom of our hearts for this wonderful award. In particular, we’re thankful for Mr. Sho Yamamoto, who created the song, for all of the staff members, and for our fans who continue to love and support us. We want to keep introducing ‘NEW KAWAII’ to the world and to continue contributing to the expansion of idol culture.”
 
ATARASHII GAKKO!, whose name translates to “New School Leaders”, has captivated fans globally with their bold fusion of punk energy, traditional Japanese motifs and unfiltered individuality. From FRUITS ZIPPER’s kawaii-meets-cool evolution of idol pop to CUTIE STREET’s viral buzz and digital-native charm, ASOBISYSTEM’s roster is redefining what it means to be a pop act in 2025. These recognitions reflect a growing appetite for genre-fluid, expressive artistry both in Japan and internationally.
 
The awards also underscore the impact of ASOBISYSTEM’s long-standing commitment to cultural innovation, having nurtured distinctive, boundary-pushing talents such as Kyary Pamyu Pamyu, Yasutaka Nakata and more.
 
As part of the Music Japan Awards 2025 ceremony, ATARASHII GAKKO!, FRUITS ZIPPER and CUTIE STREET took part in the powerful opening segment, “RYDEEN REBOOT – YMO”, a tribute project to the legendary Yellow Music Orchestra. The performance encapsulated ASOBISYSTEM’s forward-thinking ethos, with all three acts honouring YMO’s legacy while infusing it with their own unique energy and contemporary flair. Watch it
here.
 
ATARASHII GAKKO!
Best Japanese Dance-Pop Artist - WINNER
Best Dance Performance ("
Otonablue") - WINNER
Best Japanese Dance-Pop Song (“Otonablue”) - NOMINEE
 
FRUITS ZIPPER
Best Idol Culture Song (“
Watashi no Ichiban Kawaii Tokoro”) - WINNER
Best New Artist - NOMINEE
Best Idol - NOMINEE
Best of Listeners’ Choice: Japanese Song (“Watashi no Ichiban Kawaii Tokoro”) - NOMINEE
 
CUTIE STREET
Best Idol - NOMINEE
Best Idol Culture Song ("
Kawaii Dake ja Dame Desu ka?") - NOMINEE
Best Viral Song ("Kawaii Dake ja Dame Desu ka?") - NOMINEE
Best of Listeners’ Choice: Japanese Song ("Kawaii Dake ja Dame Desu ka?") - NOMINEE
 
About ASOBISYSTEM
Founded in 2007, ASOBISYSTEM is a Tokyo-headquartered entertainment company at the forefront of promoting Japanese pop culture and creativity on a global scale with its innovative approach to artist development and brand building. ASOBISYSTEM manages a diverse roster of artists, models, actors and creators including pop icon Kyary Pamyu Pamyu, electronic music producer Yasutaka Nakata and multi-disciplinary artist Sebastian Masuda to deliver captivating content and engaging events for wide-ranging audiences. Working across various platforms such as music, visual arts, fashion, pop-up stores and events, ASOBISYSTEM is a driving force in Japanese pop culture, fostering creativity and diversity within the industry.
 
About ATARASHII GAKKO!
ATARASHII GAKKO! is a four-member girl group known for their high-energy performances, theatrical visuals and genre-bending music. With a mission to challenge stereotypes and embrace individuality, the group is a rising force in Japan’s new wave of cultural exports.
 
About FRUITS ZIPPER
FRUITS ZIPPER is a new-generation idol group whose upbeat, playful style and catchy anthems have quickly gained attention across Japan and overseas. With a mission to promote “NEW KAWAII”, the group blends nostalgia with innovation to lead the next wave of idol culture.
 
About CUTIE STREET
CUTIE STREET is a rising idol group celebrated for their energetic vibe, internet-savvy appeal, and viral performances. Known for connecting deeply with Gen Z audiences, the group reflects the next chapter in fan-powered, digital-first pop.
 
About Music Awards Japan (MAJ)
The Music Awards Japan 2025 aimed to “connect the world and light up the future of music”. The show is one of the largest international music award presentations in Japan. It aims to promote the music of Japan and other Asian countries around the world, to further highlight the pride of Japanese musicians and to encourage foreign artists to enter the Japanese market. It was established as an opportunity for the five major music industry organizations in Japan (Recording Industry Association of Japan, Japan Association of Music Enterprises, Federation of Music Producers Japan, Music Publishers Association of Japan, All Japan Concert & Live Entertainment Promoter's Conference) to transcend barriers and collaborate with the global music industry to create the future of music.
 
MAJ determines the best works/artists in a total of 62 categories, including six major categories, out of a total of 3,000 entries/artists by voting by artists and other music professionals. The Grand Ceremony was held on 22 May and was broadcast live on NHK and streamed worldwide on YouTube (excluding some regions).
 
The total of 62 categories represented at MAJ celebrate a wide variety of music culture. The six main categories are “Best Song”, “Best Album”, “Best Artist”, “Best New Artist”, “Best Asian Song”, and “Top Global Hit from Japan”. In addition, an unprecedented number of other categories have been created over the years, including categories open to general music listeners and awards honouring Japanese music that has received recognition abroad.
 
This year's entries, totaling approximately 3,000 songs, are available on Spotify in the form of a “museum” playlist, and playlists for each category, including the six main categories, are available on dHits and other music distribution services. Excluding some songs that are not available on music distribution services.
 
MUSIC AWARDS JAPAN 2025
Date: 21-22 May
Event Week: 16-22 May
Venue: ROHM Theater Kyoto
Official Site
HERE

In collaboration with: Agency for Cultural Affairs / Ministry of Economy, Trade and Industry
Sponsors: Kyoto Prefecture / City of Kyoto / Kyoto Chamber of Commerce and Industry / JETRO

Follow ATARASHII GAKKO!
Website | Facebook | Instagram | X | TikTok | Youtube

Follow FRUITS ZIPPER
Website | Facebook | Instagram | X | TikTok | Youtube

Follow CUTIE STREET
Website | Instagram | X | TikTok | Youtube

Follow ASOBISYSTEM
Website | Facebook | Instagram | X | Youtube

For more information, contact blackstar

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Thai rapper Milli showcases emotional side with new single “MENACE”

June 2, 2025

Explosive Thai rapper MILLI has just released a peek at her upcoming album with the second single ‘MENACE’, a suave crossover track with introspective lyrics that represent MILLI’sinner emotions, showing a stark contrast from her previous hard-hitting release ‘ONE PUNCH’.

 

“After the intense ‘ONE PUNCH’, I’m shifting towards R&B vibes with this new song ‘MENACE’. The intensity of the two songs is very different. This song has a much lighter groove, but the lyrics are extremely heavy because they represent my own pain of choosing to walk away from a relationship that was hurting me,” said MILLI.

 

Listen to MILLI’s ‘MENACE’

 

Alongside the single, MILLI has also released a music videofor ‘MENACE’, marking a significant transformation for her as she showcases her growth and sexiness in this new era. The music video is directed by Rose-Ruangsroi Aksornsawang, an award-winning film director who has created beautiful cinematic visuals for ‘MENACE’, showing an intense storyline that reflects the themes of the upcoming album HEAVYWEIGHT.

 

Watch the music video for “MENACE

 

Revealing more about ‘MENACE’, MILLI said, “This is a confident step forward, with me telling myself that I will no longer be the only one being victimized, that I am good enough. The song is a result of a collaboration with a foreign producer during an 88Rising song camp in Los Angeles. I’m also very excited for everyone to check out my new album HEAVYWEIGHT, which will be released in less than a month!”

 

MILLI is a dynamic Thai rapper, singer and songwriter who made history as the first Thai artist to perform on the main stage at Coachella in 2022. Known for constantly reinventing her image and delivering fierce rap flows, MILLI has quickly become a standout artist under her label YUPP! Entertainment. MILLI's talent caught the attention of artists across different labels, leading to numerous collaborations. Notably, her collaboration with the Thai band Tilly Birds on ‘Just Being Friendly’ has garnered over 100 million views on YouTube. Similarly, her feature on ‘Mirror Mirror’ alongside F.HERO and Changbin from Stray Kids also surpassed 100 million views.

 

In addition to these achievements, MILLI has worked with the global record label 88rising, contributing to the official remix of BIBI's ‘The Weekend’, which has garnered over 80 million views on YouTube. She also collaborated with Jackson Wang on the track ‘Mind Games’ which received widespread attention from music fans around the world. She was selected by Spotify's EQUAL campaign, an initiative promoting women in the music and audio industry, featuring herself in the popular music streaming service. As part of this campaign, her upcoming single’s artwork was displayed on a giant screen in New York’s Times Square. In 2022, she was named one of the 100 most influential women in the world by the BBC, further cementing her status as a global icon.

 

Her talent has been recognized with numerous awards, both nationally and internationally, including ‘Best New Asian Artist Thailand’ (Mnet Asian Music Awards: 2020 MAMA), Top Ten2020 The Hottest Songs (JOOX Music Thailand Top 100 2020), Hip-Hop Song of the Year and New Face of the Year (Rap is Now Awards 2020), and the Rising Star (Kazz Awards 2020). Inlate 2022, MILLI released her highly anticipated debut album, BABB BUM BUM, which earned her Best Album of the Year and Best Solo Artist of the Year at the TOTY Music Awards 2022.MILLI will return in 2025 with her second album on June 26.

 

 

INSTAGRAM | YOUTUBE | TIKTOK | SPOTIFY | APPLE MUSIC

Source: Nyou

In DailySam Tags pr, lifestyleblogger, music
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Morissette returns to the concert stage with "Ember"

June 1, 2025

Manila, Philippines — The fire is back, and it’s brighter than ever. Asia’s Phoenix, Morissette, is set to headline her most anticipated solo concert yet: Ember, taking place on October 28, 2025, 8:00 PM at the Smart Araneta Coliseum. This show celebrates 15 years of music, milestones, and global impact.

From her early days as a powerhouse teen vocalist on The Voice of the Philippines to performing alongside icons like Michael Bolton and Alan Menken, Morissette has risen as one of the most compelling voices of her generation. Now, she returns to the stage not just as a singer, but as a creative force driving Original Pilipino Music to new heights.

A Landmark Year for Asia’s Phoenix

2025 is shaping up to be a milestone year for Morissette. In addition to Ember, she stars in the highly anticipated musical film Song of the Fireflies, premiering on June 25, where she showcases both her dramatic range and signature vocal prowess. Her latest collaboration with acclaimed band December Avenue, titled “Ahon,” reveals a more intimate, acoustic side of her artistry—captivating longtime fans and drawing in new listeners alike.

Beyond the Philippines, Morissette continues to represent proudly on the world stage, performing in a series of TFC (The Filipino Channel) shows across the US and Europe. Her global presence reinforces her status not only as a local icon but as a worldwide ambassador for Filipino music and talent.

Ember: A Concert Like No Other

Ember marks Morissette’s return to the Araneta stage for her first major solo show since Morissette is Made in 2018. This performance is set to be a deeply personal and sonically spectacular journey through her past hits, current projects, and a glimpse into what’s next under her own label, Underdog Music.

Expect soaring vocals, raw emotion, and unforgettable moments—Morissette is not just looking back on 15 brilliant years, she’s setting the tone for her next chapter.

Event Details

● Date: October 28, 2025

● Time: 8:00 PM

● Venue: Smart Araneta Coliseum

Here are also some remarkable features:

1. The hashtags #AsiasPhoenix15thAnniv and #HappyBirthdayMorissette quickly trended on X after the announcement during her birthday production on ASAP Live.
2. Ticketing details and additional information will be released soon.
3. Ember marks her return to the big stage as a solo headliner, following her successful solo debut concert, Morissette Is Made, held on February 20, 2018.
4. The event is produced by Underdog Music and Gabi Na Naman Productions (GNN).

This is More Than a Concert—It’s a Cultural Moment

Morissette’s journey is far from over. From film to international tours to musical evolution, Ember is the culmination of a legacy-in-the-making.

Save the date. Witness the passion. Feel the fire.

Source: Nyou

In DailySam Tags pr, lifestyleblogger, music
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Miley Cyrus releases new album Something Beautiful

May 30, 2025

Miley Cyrus’s ninth studio album, Something Beautiful, is out now via Columbia Records and available on all streaming platforms. Listen HERE.

 

The 13-track album blends emotional clarity with expansive, cinematic production. It features the new song “Easy Lover,” alongside previously released tracks “More to Lose” and “End of the World,” as well as new highlights like “Walk of Fame.”

 

A full-length visual companion to the album premieres June 6 at the Tribeca Festival. Directed by Miley Cyrus, Brendan Walter, Jacob Bixenman, and acclaimed filmmaker Panos Cosmatos, the film brings the world of Something Beautiful to life. Naomi Campbell also appears in the visual for “Every Girl You’ve Ever Loved”.

 

Produced by Miley Cyrus and Shawn Everett, with contributions from Brittany Howard, Maxx Morando, and Michael Pollack, Something Beautiful is introspective, sonically adventurous, and emotionally grounded.

 

The visual album will have a one-night theatrical release in the U.S. and Canada on June 12, with international screenings beginning June 27. The link to buy the film tickets is here: www.MileyCyrusSomethingBeautiful.com

Source: Nyou

In DailySam Tags pr, lifestyleblogger, music
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15 days

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